At first glance, the sūrahs of the Qur’an may appear to exhibit a degree of discontinuity, with frequent thematic shifts and abrupt transitions between subjects. However, these apparent changes are not arbitrary; rather, they convey deliberate rhetorical messages that can be revealed through a renewed structural analysis. Modern Qur’anic studies have identified this complex internal organization as a manifestation of Semitic Rhetoric, a compositional principle that structures the text into hierarchically arranged and interrelated units. In this framework, verses are grouped into paragraph-like sections that maintain coherent and symmetrical relationships, often forming circular or mirror-like patterns across the text. This article employs a descriptive–analytical method to examine the rhetorical architecture of Sūrah Ḥadīd in light of Semitic Rhetoric theory. The study’s findings demonstrate that the sūrah can be divided into eight sequential sections, organized according to a mirror-structured model. From verse sixteen onward, each section and its corresponding subsection form a symmetrical pair, producing an integrated and balanced textual design. This analysis not only highlights the internal coherence of Sūrah Ḥadīd but also underscores the broader rhetorical harmony inherent in Qur’anic composition.
Esmaeili Sadrabadi M. An Analysis of the Coherence of Sūrah Ḥadīd Based on the Theory of Semitic Rhetoric. 3 2025; 19 (37) :25-51 URL: http://pnmag.ir/article-1-2200-en.html